Christine Louis, Mike Peck and Jim Reader, Air Products
The introduction of Point-of-Sale Tinting systems in the 1950s changed forever the way that
decorative paints are sold. Prior to World
War II and during the immediate post-war period, paints were supplied in a limited range of colors and retailers had to
stock a large range of ready-made colors
to meet customer demand. The arrival of
tinting systems led to dramatic changes;
all retailers needed were base paints and
a tinting machine to supply an immense
range of colors, while inventory and production for both the supplier and paint
store was reduced. Most countries and
paint producers quickly adapted to this
change and soon this became the standard way of supplying decorative paints.1
Paint tinting systems are designed to
deliver color to achieve the exact shade
desired by the end customer. The tinting
systems include colorants, dispensing and
mixing equipment, software and a color
formula database matched to the color
marketing tools.2 The selected colors
are prepared by accurately dosing the
colorants into a base paint, followed by
mixing to produce the finished color. In
order to achieve maximum operational
efficiency, paint producers will use universal colorants to tint a wide range of
different base paint chemistries, carriers
and formulations.
Most universal colorants have tradi-
tionally been based on glycols to ensure
compatibility with different carriers, and
contain the appropriate pigments, fill-
ers, dispersants, thickeners and other
additives. 3, 4 However, recent changes
in VOC regulations, such as the South
Coast Air Quality Management District
(SCAQMD) requiring colorants for archi-
tectural coatings to have a VOC of 50g/L
or less, have led to many colorants being
reformulated with much lower levels of
glycol and co-solvent. While these may
be identical in terms of color, these low-
VOC colorants may give different perfor-
mance in both dispensing machines and
the base paints.
An additional challenge is that many
paint producers do not manufacture their
own colorants, buying them from another supplier or different division of the
company. Therefore, changes in colorant
will often require formulation changes in
the base paint. The higher level of water
present in these low-VOC colorants can
affect properties such as gloss, dry time
and other application properties, as well
as consistency in achieving the intended
final color. A recent customer survey conducted by Air Products in Europe found
that issues related to colorant compatibility and color development are some of the
top concerns of architectural paint formulators and certainly some of the most
common and difficult problems to solve.
Color and Color
Development
The term “color development” describes
the degree of color quality and color uniformity of a tinted paint. Good color development implies that the color appears
uniform and of the expected strength.
Color development in a tinted base paint is
dependent on both the stability of the pig-
ments and fillers dispersed in both the base
paint and colorant. When the colorant and
paint are mixed, the additives present in
both can re-equilibrate among all the
pigments and fillers present. Because many
base paints are under-stabilized, this often
means that some of the additives needed
to stabilize the colorant pigment are re-
distributed away from the color pigment
to pigments and fillers in the base paint.
This leads to the loss of pigment stabili-
zation and flocculation of the colorant or
paint pigments leading to an immediate or
gradual change in color (Figure 1).
Pigment dispersion formulation, in
both base paints and colorants, can be
enhanced by using surface active agents
to wet, disperse and stabilize solid particles or pigments in the medium, as well
as to provide application performance.
Typically, formulations contain at least
two, and often three or more, surface
active components that are combined to
provide optimal properties. These materials include classical polymeric and
oligomeric dispersants as well as lower-molecular-weight surfactants. These surfactants can also help to improve the
compatibility of the dispersion for letdown into other systems and minimize
shock and color acceptance when tinted.
It is thought that these surfactants work
by migrating to the surfaces created when
the dispersing additives re-distribute
upon mixing, thus preventing the destabilization of the pigments (Figure 2).
Nonionic Surfactants as
Compatibilizers
Nonionic surfactants are widely used in
coatings as wetting agents, emulsifiers
and co-dispersants. 4 The structure of a
simple nonionic surfactant is shown in
Figure 3, where a hydrophilic head group
is bonded to a hydrophobic (lipophilic)
Surfactant Influence on
Colorant Acceptance